The Wizard of Oz at Birmingham Hippodrome, Review
DISCLOSURE – TICKETS TO SEE THE SHOW WERE GIFTED TO THE REVIEWER AND GUEST FOR THE PURPOSES OF WRITING THE REVIEW
Reviewed by Alexander Wilde
There’s no place like Home, there’s no place like the Hippodrome…
Direct from a sell-out season in the West End, the iconic musical ‘The Wizard of Oz’ has flown into Birmingham with a modern and vibrant production of the beloved adventure. Based on L. Frank Baum’s children’s book, ‘The Wonderful Wizard of Oz’, released in 1900, and the subsequent stage and screen play – which would lead to the Oscar-winning MGM motion picture starring the legendary Judy Garland in 1939 – this touring production has been reimagined by The Curve Theatre, with additional music and lyrics from the illustrious duo of Andrew Lloyd-Webber and Tim Rice.
Although ‘The Wizard of Oz’ wasn’t the first film to be released in colour, it transcended expectations and blew the audience away by its use of glorious Technicolour and innovative special effects. This set the precedent for the mainstream use of colour in every film that followed. Incredibly, this production has recreated the same spectacle for 21st century audiences through innovative and immersive multi-layered CGI and video projection, extraordinary lighting, visual and special effects, as well as traditional set pieces – many of which descend from upon high. The merry old land of Oz is re-envisioned in the contemporary neon-age of 1940/50s American style, where the Yellow Brick Road is like the iconic Route 66 and the occupants are resplendent in vivid pop and swing infused costumes. From Kansas to the Emerald City, you felt like you were with the cast every step of the way. I was mesmerised!

As dazzling as the production is, it would be nothing without its phenomenal cast! Leading the charge is Dorothy, played by the immensely talented Aviva Tulley. Her portrayal of the wide-eyed, courageous girl from Kansas is both heartfelt and inspiring, capturing the essence of Judy Garland’s original performance while making the role her own. The Scarecrow, my personal favourite of the trio who join Dorothy on her journey to the Emerald City, is brought to life by Benjamin Yates, whose physical comedy and endearing charm made him an instant hit. Aston Merrygold, of JLS fame, as the Tin Man, delivers a performance filled with high pop-energy and grace, perfectly embodying the character’s quest for a heart. There were clearly many a fan in the audience and he really charmed them with his pathos. Meanwhile, the Cowardly Lion, played by Nic Greenshield, provides much of the production’s comic relief with impeccable timing and a wonderfully expressive face.
Another celebrity draw was stalwart of stage and screen, Craig Revel Horwood, clearly revelling in playing the Wicked Witch of the West. Glamorous and glittery in green, and channelling his inner panto villain (make sure you “boo”), he owned the stage – flitting between fabulous and fearsome. He knocked his musical numbers out of the park. In contrast, Emily Bull as Glinda the Good Witch, provided the perfect balance. Ever the guardian and optimist, she was the current-day fairy godmother. A special mention also to Abigail Matthews also, actress and puppeteer, who brought Toto life.
Not to be overlooked are the wonderful ensemble who fill the vibrant world of Oz with a colourful array of characters. In presence, song and dance the Munchkins, the Emerald City’s citizens, and the Winkie Guards all contribute to the rich tapestry of the production, each performance adding to the magic and wonder of the story. The comradery and chemistry was palpable, and the collective energy lit up the stage from beginning to end.
As Dorothy, the Scarecrow, the Tin Man, and the Cowardly Lion remind us through their journey, the true magic lies not just in the wonders of Oz but in the strength of character and heart within us all. This show stands as a testament to the enduring power of L. Frank Baum’s timeless tale, proving that no matter how far we travel, there’s always a place where we truly belong.
With a click of our heels, we are reminded that there’s no place like the theatre, where dreams come to life and imagination knows no bounds. This cutting-edge yet familiar rendition of ‘The Wizard of Oz’ has managed to preserve the iconic charm and magic that made the original story beloved by generations. So, follow the Yellow Brick Road to this spectacular production and let it take you over the rainbow, for it’s a journey you’ll never forget, and one that will leave you humming those enchanting tunes long after the curtain falls.
Five Magical Stars!
Rating: 5/5
Tickets cost from £30.
On Stage until 16th June 2024, for more information or to book tickets visit https://www.birminghamhippodrome.com/calendar/the-wizard-of-oz/ call the box office on
0844 338 5000
Birmingham Hippodrome Theatre, Hurst Street, Southside, Birmingham B5 4TB
Tour information: https://uktour.wizardofozmusical.com/
The splendorous Birmingham Hippodrome stands within a clean, well-lit, and popular cultural heart of the city. The historic area and venue has benefited from extensive regeneration and considered transport links over the last two decades. The Theatre is surrounded by a range of bars, restaurants, and entertainment options for a great day or night out in the bustling city. Arriving by car, routes to the theatre were well signposted and nearby parking was plentiful. The Bullring and Grand Central train station are a short walk away.
The main foyer is modern and spacious, leading to all accessible levels. We were greeted warmly on entering and felt a buzz in the air. We found the bars/concession stands to be well manned, stocked with a wide range of hot/cold drinks and treats; all of standard prices for theatres. I have sat in both stall and dress circle seats; both are very comfortable and provide excellent views of the stage.