Peter Pan at Birmingham Hippodrome, Review

DISCLOSURE – TICKETS TO SEE THE SHOW WERE GIFTED TO THE REVIEWER AND GUEST FOR THE PURPOSES OF WRITING THE REVIEW

Reviewed by Alexander Wilde

In Brum, Peter Pan’s panto adventure has begun!

Birmingham’s panto season opens with a production of ‘Peter Pan’ at the unrivalled Birmingham Hippodrome. With its West End vibe, it’s the quintessential venue in which to enjoy the magic and marvel of pantomime in the Midlands.

We were blown away by last year’s production of ‘Jack and the Beanstalk’, and particularly enjoyed attending in January (it makes for the perfect post-Christmas/New Year pick-me-up), so we were delighted to be invited once again. Two nights before the ‘Big Day’, it was a drizzly December, but the evening was still full of festive cheer as families and friends were greeted warmly at the venue. As you always find at the Hippodrome, there was a buzz in the air as we settled into our comfortable seats and waited for the curtain to rise on a dazzling stage.

Full of pixie dust charm, Billie-Kay as Tinkerbell opened with a rousing tune and the customary prologue. Little exposition was required; the story opening was very much true to that of JM Barrie’s fantasy adventure, albeit with the familiar and popular Disney treatment. The original play is quite dark. It was great to see an expanded role for the returning Billie-Kay; she lights up every scene and is very much a rising star in the theatre world.

A quick flight to the Darling’s Nursery and over the rooftops of Birmingham, introduces the children – Wendy, John and Michael – to the titular hero (Noah Harrison). Noah, perfectly capturing the character’s youthful optimism and charm, as Peter Pan, the boy who never grew up, certainly grew on us.

Stars of stage and screen, and pantomime veterans, Andrew Ryan and Matt Slack (with writing credit), make a very welcome return to the Hippodrome. Speaking to other theatregoers, panto in Brum is now synonymous with this comedic duo. As Mrs Sylvia Smee, mother to Mr Smee, Captain Hook’s first mate, they fulfil the expectation of over-the-top antics to keep the audience laughing. They didn’t disappoint and slapstick humour, puns, and witty banter abounded. However, and perhaps because the source material wasn’t a fairy tale, and Mrs Smee is a new creation, their pairing didn’t provide the heart and emotional connection that you get with the Dame and Son character.

With more than a bosom full of double entendres and extravagant costumes (which are an attraction in their own right), Andrew is in his 34th year donning the drag. The writing and costuming team did an incredible job with this character.

Matt brings down the house and delights with his audience participation, quick lines, impressions and comedic timing. His cheeky musical skits are not to be missed and a favourite of young and old alike; although based on very different levels of understanding!

Plot wise, as the character’s attested too, it was all a bit disjointed, with scenes and interactions jumping around in a playful and unpredictable way. This whimsical (and Neverlandesque?) narrative at times was tricky to follow and veered on detracting from the overall magic. The story arc of Act 2 is anyone’s guess! Fortunately, the chaos added to the fun and kept the audience laughing and entertained throughout.

With a good balance of villainy and hilarity, Danny Mac brings Captain Hook to the stage, making him a character you love to hate. Whether he’s plotting schemes or interacting with the other characters, Danny’s performance adds energy and flair to this iconic role, keeping the audience entertained with his lively and charismatic portrayal. Script-slippages and ribbing from Mr Smee sailed effortlessly and kept the audience hooked.

TV treasure and local lass, Alison Hammond, returns for a second year, this time taking on the role of a Magical Mermaid. While her infectious energy and pride in her hometown are undeniable, her character feels like a light, fun addition—charming and entertaining, but perhaps a little superfluous in relation to the plot. Much like the loosely structured storyline, her role brings delightful moments and showcases her talent, especially when utilising her Strictly Come Dancing experience. While it may not fully tie everything together, her presence certainly adds to the enjoyment, ensuring the audience is entertained with her genuine warm-nature.

Complementing the cast throughout the production were an accomplished and brilliant ensemble. These up-and-coming stars were fully invested and enjoying their part in the extravaganza; singing and dancing their hearts out. Furthermore, extraordinary recognition goes to the orchestral and technical teams – for the stunning staging and costuming, combined uplifting original tunes with perfectly timed sound and visual effects too.

Overall, the scene changes and musical interludes moved at a good pace, with a balance that suited the audience’s age range. The mix of an original musical score and pop hits from across the decades kept the audience engaged, with plenty of bopping and clapping along. With strong direction, and solid production values, the show was an enjoyable experience, earning a solid four out of five treasured stars.

You know the tale—flying pirates, hungry croc, and a boy who never grows up… this delightful production will have you soaring with laughter from start to finish. It’s a show filled with magic, mischief, and just the right amount of swashbuckling fun! I only wish we could’ve stayed in Neverland a little longer. So, before you grow up, make sure to book your tickets to Peter Pan at the Birmingham Hippodrome this festive season. Panto fun awaits, and it’s a must-see for the whole family!

Rating: 4/5

Tickets cost from £18.50
On Stage until 2nd February 2025, for more information or to book tickets visit www.birminghamhippodrome.com or call the box office on 0844 338 5000
Birmingham Hippodrome Theatre, Hurst Street, Southside, Birmingham B5 4TB

The splendorous Birmingham Hippodrome stands within a clean, well-lit, and popular cultural heart of the city. The historic area and venue has benefited from extensive regeneration and considered transport links over the last two decades. The Theatre is surrounded by a range of bars, restaurants, and entertainment options for a great day or night out in the bustling city. Arriving by car, routes to the theatre were well signposted and nearby parking was plentiful. The Bullring and Grand Central train station are a short walk away.
The main foyer is modern and spacious, leading to all accessible levels. We were greeted warmly on entering and felt a buzz in the air. We found the bars/concession stands to be well manned, stocked with a wide range of hot/cold drinks and treats; all of standard prices for theatres. I have sat in both stall and dress circle seats; both are very comfortable and provide excellent views of the stage.