The Rite of Spring and Petrushka Review
The Rite of Spring & Petrushka
Northern Stage, Newcastle
4-5 April 2014
Reviewed by Sarah Keeley King
Stravinsky’s The Rite of Spring apparently caused a riot when first played in turn of the century Moscow, such was its shocking audacity. A century later, I also found myself shocked and unsettled by this powerful music brought to full artistic realisation through contemporary dance.
This was not easy viewing, and nor did I find it beautiful, but the quality of the dancing was clear, and the artistic intent impressive. With two contemporary dance pieces, one ostensibly lighter and more hopeful than the other, my overriding sense was of the primal urges that propel humanity weak and pitiful through the seasons. Mother Earth, as controlling witch, toyed with the dancers, first arrogantly and then playfully. The dancers writhed, convulsed, and raped in the first piece. Animal masks, dogs and hares, heightened an impression of cruelty and paganism. In the second piece moments like a hello or wink from a dancer, and evocation of folk dances, felt less sinister and more joyful, but still they were watched from on high.
An interesting and urgent piece.
Rating: 4/5
Northern Stage, Barras Bridge,Newcastle Upon Tyne,Tyne and Wear, NE1 7RH | 0191 230 5151
