Pride & Prejudice* (*sort of) at Lyceum Theatre, Sheffield Review
DISCLOSURE – TICKETS TO SEE THE SHOW WERE GIFTED TO THE REVIEWER AND GUEST FOR THE PURPOSES OF WRITING THE REVIEW
Reviewed by Natasha Wright
Pride & Prejudice* (*sort of) is a consistently funny and creative reinterpretation of Jane Austen’s classic novel, currently enchanting audiences at Sheffield’s Lyceum Theatre. This Olivier Award-winning production, crafted by Isobel McArthur, revitalises the 19th-century tale with a blend of contemporary language, humour, and music, presented by a multi-skilled all-female cast.
For the die-hard Austen fans you’ll be glad to know the play remains faithful to the core plot of Austen’s Pride and Prejudice, focusing on the romantic entanglements of the Bennet sisters, primarily the spirited Elizabeth Bennet, and the ever popular Mr. Darcy. McArthur’s adaptation, however, depicts the story through the eyes of the indispensable household servants. This perspective provides a fresh viewpoint to explore the social hierarchies and particular roles of the Regency era, themes that Austen herself explored with insight.
Modern music enhances key moments in this production, delivering a punchy and often amusing message. For example, Carly Simon’s “You’re So Vain” humorously yet poignantly underscores Elizabeth’s initial disdain for Darcy, capturing the tension and misunderstandings between them. Similarly, using “Lady in Red” in a scene with Lady Catherine de Bourgh offers a delightful touch of irony and obvious humour.
The cast’s range is truly impressive. Each actor transitions seamlessly between multiple roles, both male and female, adding depth and distinction to every character. Rhianna McGreevy delivers an outstanding performance, playing both the meddlesome Mrs. Bennet and the brooding Mr. Darcy with remarkable skill. Her portrayal of Darcy notably captures his austere nature whilst alluding to his hidden depths, subtly weaving his presentation to us the same as Austen did.
The production’s design enhances its charm with period-accurate costumes paired with modern props, like the Bennet sisters enjoying Ferrero Rocher and Quality Street. This imaginative choice not only adds humour but also connects contemporary audiences with the historical setting, making the age of the original text and social machinations within far more accessible and comedic in the eyes of a 21st century audience.
What truly sets Pride & Prejudice* (*sort of) apart is its ability to pay tribute to Austen’s original work whilst subverting it. The play’s use of modern language and occasional profanity adds to the surprise and delivery at times, tickling the audience. Yet despite this change the story remains intact.
Whether you’re a devoted Austen fan or new to the story, this production promises to deliver a thoroughly enjoyable evening that highlights the enduring relevance of Austen’s insights into human relationships and societal norms.
The production was exceptionally well received and the crowd rose for a standing ovation, a common feature of this production. McArthur has won awards as the playwright of Pride & Prejudice* (*sort of) and deservedly so, she’s been recognised by The Evening Standards Emerging Talent Award, though I’d argue she’s emerged a while ago and they just missed the beginning. She’s also netted the Olivier Award for Entertainment and Comedy Show. It’s hard to forget and easy to enjoy. Be sure not to miss out!
Rating: 5/5
Tickets cost from £10 to £46.50 (booking fees may apply).
Pride & Prejudice* (*sort of) is at the Lyceum Theatre in Sheffield from 14-18 January 2025, for more information or to book tickets visit www.sheffieldtheatres.co.uk or call the box office on 0114 249 6000.
Lyceum Theatre, Norfolk St, Sheffield, South Yorkshire, S1 1DA | 0114 249 6000